THE CONTINUITY OF PARKS
He had begun to read the novel a few days before. He had put it
aside because of some urgent business, opened it again on his way back to the
estate
by train; he allowed himself a slowly growing interest in the plot,
in the drawing of characters. That afternoon, after writing a letter to his
agent and discussing with the manager of his estate a matter of joint ownership,
he returned to the book in the tranquility of his study which looked upon the park
with its oaks.
estate
noun | es·tate- a piece of landed property, especially one of large extent with an elaborate house on it
Sprawled
in his favorite armchair, with his back to the door, which would
otherwise have bothered him as an irritating possibility for intrusions, he let his
left hand caress once and again the green velvet
sprawl
verb | sprawl- to sit or lie in a relaxed position with the limbs spread out carelessly or ungracefully
upholstery
and set to reading the final chapters. Without effort his memory retained
the names and images of the protagonists; the illusion took hold of him almost
at once. He tasted the almost perverse pleasure of disengaging himself line by line
from all that surrounded him, and feeling at the same time that his head was relaxing
comfortably against the green velvet of the armchair with its high back, that the
cigarettes were still within reach of his hand, that beyond the great windows the afternoon
air danced under the oak trees in the park. Word by word, immersed in the
upholstery
noun | up·hols·ter·y- the materials used to cushion and cover furniture
sordid
dilemma of the hero and heroine, letting himself go toward where the images
came together and took on color and movement, he was witness to the final encounter
in the mountain cabin. The woman arrived first, apprehensive; now the lover came in,
his face cut by the backlash of a branch. Admirably she
sordid
adjective | sor·did- morally ignoble or base; vile
- meanly selfish, self-seeking, or mercenary
stanched
the blood with her kisses, but he rebuffed her caresses, he had not come
to repeat the ceremonies of a secret passion, protected by a world of dry leaves and furtive
paths through the forest. The dagger warmed itself against his chest, and underneath pounded
libery, ready to spring. A lustful, yearning dialogue raced down the pages like a rivulet of
snakes, and one felt it had all been decided from eternity. Even those caresses which writhed about the
lover's body, as though wishing to keep him there, to dissuade him from it, sketched abominably the figure
of that other body it was necessary to destroy. Nothing had been forgotten: alibis, unforseen hazards, possible
mistakes. From this hour on, each instant had its use minutely assigned. The cold-blooded, double re-examination of
the details was barely interrupted for a hand to caress a cheek. It was beginning to get dark.
stanch
verb | stanch- to stop the flow of blood or other liquid from a wound
Without looking at each other now, rigidly fixed upon the task which awaited them,
they separated at the cabin door. She was to follow the trail that led north. On the path
leading in the opposite direction, he turned for a moment to watch her running with her hair
let loose. He ran in turn, crouching among the trees and hedges until he could distinguish in the
yellowish fog of dusk the avenue of trees leading up to the house. The dogs were not supposed to bark, and
they did not bark. The estate manager would not be there at this hour, and he was not. He went up the three
porch steps and entered. Through the blood galloping in his ears came the woman's words: first a blue parlor, then
a gallery, then a carpeted stairway. At the top, two doors. No one in the first bedroom, no one in the second.
The door of the salon, and then the knife in his hand, the light from the great windows, the high back of an armchair
covered in green velvet, the head of the man in the chair reading a novel.